Showing posts with label tolkien. Show all posts
Showing posts with label tolkien. Show all posts

the magnificent, little-known artwork of jrr tolkien

Sunday, January 26, 2014

The skill, depth, and scope of JRR Tolkien's masterful writings are known worldwide. Tolkien is commonly acknowledged as one of the best fantasy authors in history, and his stories are cherished by millions. Eli and I certainly count ourselves among his most ardent fans. But even I didn't realise until recently that, on top of his skill as a writer, Tolkien was an incredibly accomplished artist as well.

Before my trip to the United Kingdom last summer, I was only ever familiar with Tolkien's map-making skills (which are awe-inspiring, particularly to a writer who tried to draw her own fantasy maps!) and the few rough sketches I had seen in various editions of The Hobbit and The Lord of the Rings. However, when Eli and I were wandering around Oxford University last August, we happened across a dark little gallery featuring the original artwork of JRR Tolkien, CS Lewis, and Philip Pullman... and at once my eyes were opened to Tolkien's extraordinary skill as an artist.

Tolkien (who lived from 1892 to 1973) grew up and spent most of his life in England. He was deeply interested in languages, storytelling, and artwork even as a small child, and he self-illustrated his stories from a young age. He sketched little scenes for his children as an adult, and we see the culmination of this skill in the artwork dedicated to Middle Earth, his creative masterpiece.

Eli and I were able to see several hand-painted originals in the gallery at Oxford, including 'Conversation with Smaug', 'Bilbo and the Eagle', 'The Trolls', and the 'Map of the Wilderland'. The most spectacular moment for me, though, was standing before the hand-drawn original covers that Tolkien designed for the Lord of the Rings trilogy. In the slideshow below, you'll see all of these pieces, along with many other illustrations that allowed Tolkien to express Middle Earth as he saw it.

Tolkien's preferred medium was watercolour, though even his ink-drawing of The Trolls is fantastic. If you're interested in a comprehensive review of Tolkien's artwork, check out JRR Tolkien: Artist and Illustrator (published by HarperCollins and Houghton Mifflin in 1995). As ever, my respect and awe of JRR Tolkien continues to grow.

London | Day N° 21 | Oxford & the Eagle and Child

Sunday, August 18, 2013



Today I am leaving my beloved city of London. In this short period of time, I have come to love this city: each day I found another aspect that deepened my affection, respect, and interest in this wonderful place. I’ve traveled to every major city in the US, and I love them each in their own ways; but London far outdoes them in my eyes. There is something completely different about this place, about the UK. Honestly, it’s the pride of its people. The British are so fiercely proud of their land and ways, and have good reason to be. It makes for a very elegant, refined, and respectful society, one that I’ve adored from afar for many years, but experiencing it has only made me love it more. Perhaps if I lived here, after many years, I would get a bit sick of it; but for now, I would give anything to spend more time in this city.

So it was with great sadness that I spent my last day in London. Honestly, I didn’t even spend much of it in London – around 11:00, Eli and I took a bus to Oxford for the afternoon. But in the morning, we walked down to LSE one last time, down Aldwych and the Strand, around Horse Guards Parade and past the Palace. It was cool and grey, of course, and I find that I have even come to love that. I, who want to spend the rest of my life drowning in sunshine, was so cosy and happy in the chill British air and under rainy grey skies.

After walking through a grey cool London to our bus stop at Grosvenor Square, we boarded a double-decker bus and crossed the deep green countryside to reach Oxford, and I got to see a bit of the UK outside the city: rolling green hills, shallow valleys, pastures of sheep, little villages. It was so perfect. When we alighted on High Street, Eli and I immediately delved into Oxford’s campus. I’m not familiar with the area, but we visited Radcliffe Camera, St Mary’s Church, one of the libraries, Christ Church, and many beautiful courtyards. The architecture of the school is obviously so impressive and old, and the gardens and lawns were well-kept and so British. We randomly happened upon a small exhibit of ‘Magical Books’: artefacts from the creation of those magical worlds that have become entwined with Oxford. Yes, this was a special exhibit for Middle Earth, Narnia, and some of the other fantastic places that are tied to this place in various ways. I couldn’t believe that we happened across this little room, because it was too perfect to be true. Almost half of the entire exhibit was dedicated to the works of JRR Tolkien and CS Lewis. 

Tolkien's hand-painted 'Conversations with Smaug'   
As soon as we walked in, I saw two small hand-drawn maps set in glass cases that looked familiar… it took me some time to come to terms with the fact that these were original maps of Middle Earth and Narnia hand-drawn by Tolkien and Lewis. I don’t think I’ve come to terms with this even now… I have spent so many hours reproducing Tolkien’s world, through maps, language, music, script, art; and there it was, the original, in the creator’s hand. The exhibit also included quite a few of Tolkien’s watercolours: ‘Conversations with Smaug’, Bilbo and the giant eagle, cave paintings from Middle Earth, the death of Smaug, and, possibly the ultimate treasure for a Tolkien fan and an artist, the original hand-painted covers created by Tolkien himself for the novels. First of all, it was almost beyond my comprehension to see these things that he had created by hand. Second of all, the man was a fantastic artist. His watercolours on their own are beautiful, richly coloured, and masterfully done. That on its own was impressive! There was a number of other incredible related things, including the script from the One Ring and the carvings from Balin’s tomb written in Tolkien’s hand, and torn and burnt pages from Book of Mazarbul that Tolkien had created.

Another of Tolkien's illustrations
It still leaves me shocked to think about it. If I were to ever plan some elaborate, grandly-scaled theft, I wouldn’t steal endless amounts of cash from a vault or casino; I would find a way to get my hands on these artefacts, these pieces of paper that are beyond worth. The maps and manuscripts and illustrations hold far more worth to me than the things other people would consider valuable. Tolkien shaped so much of who I am, and I have the deepest reverence for his genius.
  
That being said, imagine my reaction when Eli and I went to the Eagle and Child, a very old and small pub in Oxford that Tolkien and Lewis (along with others) met at to discuss their writings. They called themselves the Inklings, and I remember when Eli and I first became friends and bonded immediately over our love for writing, our fathers (who are Tolkien geeks too!) hinted that we were creating our own Inklings group. And that’s what we called it for years, when we got together at a cafĂ© or bookstore to write and read each other’s manuscripts and discuss our ideas. We have both dreamed of coming to the Eagle and Child since we first met; it kind of signifies the ultimate step of our friendship to us, like we’re coming full circle.

It’s a small, dark place, with a fireplace in each room, a little bar, and a conservatory at the back (which is probably new). The Rabbit Room is set to one side by the bar, with a long wooden table right by the large fireplace. This is the room that the Inklings met in, where they sipped beer and pored over each other’s manuscripts. It was honestly too much to handle.

It’s quite an interesting phenomenon: it’s quite evident that the majority of the greatest creative masterpieces have come from the North, particularly from the United Kingdom. What is it about this land, the chill, the grey clouds and stone, the deep emerald green, that inspire such imagination in men? One would think that the brilliant hues of the tropics would be a more fertile land for imagination and tales, but the greatest stories come from these cold hills and cliffs. I don’t understand why, but I can certainly feel it when I’m here.  

The Eagle and Child can be a place where time stands still. When Eli and I had our little Inkling meetings years ago, we’d just sit and write for hours on end, with no other worries, gone to the world. We’ve since lost that… but at the Eagle and Child, tucked in a corner by the fireplace, hot Earl Grey tea at the ready, we found our sense of writers’ timelessness again. Imagination can come alive here, in this little old pub. The dark shelves and fireplaces, wooden walls, quiet private tables in little rooms; I can easily see how these men were inspired to write about
the halls of Rohan, underground burrows of talking badgers, hushed conversations around a Bag End fireplace. Middle Earth and Narnia came alive right here. They were crafted over many hours and conversations and pints over this wood table and by this fireplace. I could have stayed forever.      

But of course, we had to pass on. We returned to London around 18:00, and got ready to depart for Paris. We’re taking an overnight bus from London to Dover, in a ferry over the English Channel, and then down from the coast to Paris, to arrive early in the morning. Then, we skip over to Versailles for a day, to stay in the beautiful Trianon Palace!      

life tip #1 | why you need to travel

Saturday, December 29, 2012


“The world is a book and those who do not travel read only one page.”
― Saint Augustine of Hippo

“Every dreamer knows that it is entirely possible to be homesick for a place you've never been to, perhaps more homesick than for familiar ground.”
― Judith Thurman

Travelling is an art. Since Ibn Battuta and Marco Polo, travelogues have been a window into other worlds. Tales and imagery too exotic to be true, places so unfamiliar that they seem more dreamlike than real... this is the stuff of adventure. Doesn't mean you have to buy a one-way ticket to Timbuktu to experience the same thing! Just venture a little bit out of your comfort zone to start reaping the rewards of travel. Simply uprooting yourself and testing the waters of an unfamiliar place is something very personal: every individual adapts (or doesn't adapt) differently, we all approach new places and people with our unique predispositions and expectations. To travel is to explore yourself.

The world is not as big as it seems, but it's big enough that you'll never see all of it, no matter how hard you try. This certainly doesn't mean you shouldn't bother to explore it at all! So much ignorance is the result of lack of exposure to different people, places, and ideas.

Make 2013 your year to be bold, to attempt a bit of travel, no matter how small. Go explore a new town, visit friends who live in another state (or better yet, country!). Take a road trip; get a passport. Go find yourself!
Proudly designed by Mlekoshi playground